Layered Tables and Compact TV Monitors: Exhibiting Architecture and Flanders’s Urban Conditions at the Turn of the Millennium

Main Article Content

Alice Haddad

Abstract




The travelling exhibition Homeward, Contemporary Architecture in Flanders (1999–2001) was commissioned by the Flemish Ministry of Culture and curated by Maarten Delbeke, Steven Jacobs, and Katrien Vandermarliere. The curators selected nine buildings and an urban design project, not merely as “best of” contemporary practices, but rather to articulate a new discourse for evaluating contemporary architecture based on the Flanders Environmental Structure Plan. The exhibition and accompanying publication aimed to foster new perspectives on the interaction between architecture, urban design, and the social, cultural, and environmental factors of the region’s urban sprawl. Using diverse media and a modular furniture system, the exhibition created a framework to explore how the selected designs and Flanders’s spatial environment affected each other. The layered narrative offered a kaleidoscopic portrayal of the Flemish landscape. This paper explores the symbolic and operational functions of Homeward’s exhibition apparatus, showing how discourse and media combined into a transfiguration of the spatial environment, promoting a new architectural agenda for Flanders.


Image : Book cover of Borret et al., 1998. English version of the publication designed by Gert Audenaert and published by deSingel International Arts Centre.




Article Details

Section
Thematic section
Author Biography

Alice Haddad, Ghent University

Alice Haddad is a PhD candidate and member of the research group Architecture Culture and the Contemporary (ACC) at Ghent University’s Department of Architecture and Urban Planning. She completed a B.Arch at ISACF La Cambre and a M.Arch at ULB, both in Brussels, studied abroad at ESAP in Porto, and completed a course in Critical Studies at Vrije Universiteit Amsterdam. She contributed to various curatorial, editorial, and artistic initiatives, such as the exhibition and book The Other Architect (Canadian Centre for Architecture; Spector Books, 2015), the collaborative project Perhaps it is high time for a xeno-architecture to match (Kaaitheater; Het Nieuwe Instituut; Sternberg Press, 2016–18) and the exhibition Rising Waters (Architecture Workroom Brussels; Brussels Urban Landscape Bienniale, Bozar, 2018).